Black Radio Shines Again – for its 25th Birthday!

Some 25 or so years ago – when I was a mere babe (I wish) – I had the pleasure of working as one of three writer/producers on what would become a multi-award winning (including duPont- Columbia, Gracie and Peabody Awards) radio series.

With Grammy Award winning singer/artist Lou Rawls as our Golden-voiced host, the series, Black Radio: Telling It Like It Was, took listeners on an exciting journey through the history of African Americans in radio and in American culture.

Of course, I’m biased about a series that I believe is still highly enjoyable and relevant.

So please don’t take my word for it.

Listen for yourself to the energy generated by the music, along with the hipster DJs, news reporters, nationally known movers and shakers, listeners and scholars who helped us reveal the vital role that black radio played in this country from the 1920s through the mid-1990s.

The Smithsonian and PRX have rereleased Black Radio: Telling It Like It Was for its 25th Anniversary…and you’re invited to the celebration.

Click HERE to hear the series – and be amazed!

And check out this PRX Blog Post about my fellow poducers’ experience with this series.

Note: The shows I produced are featured in Hour One and Hour Four of PRX’s six-hour rerelease.

Happy 2021…And Continuing to Communicate in Our Virtual World

HAPPY NEW YEAR!

May this be a fruiitful, fulfilling and stress-free year (as much as poosible) for you & your loved ones.

Since we’ll be spending at least part of 2021 continuing to operate in an online world, you might want to consider sharing some of your thoughts, insights and experiences in a podcast. If so, below are some tips on how to best record your podcast, as excerpted from an article published on descript.com.

How to Record a Podcast Remotely…And Get It Right The First Time

Remote interviews are a fact of life for every podcaster, and in today’s era of social distancing, more so than ever. Since you rarely get the chance at an interview do-over, nailing down your remote recording workflow is essential. We’ll show you how to prepare for and record a remote interview, so you get it right the first time — with some additional tips along the way to make sure all your bases are covered.

Choose the right remote recording setup for your podcast

The first step is to determine the remote recording setup that best suits the format and content of your podcast and your production and editing workflow.

In most cases, your best solution will involve recording remote interviews on Zoom, Skype, Google Hangouts, or a similar online conferencing service. This low-friction setup makes it easy for guests or co-hosts to contribute, but you’ll need to make sure you have the right software to record these interviews.

It’s also wise to make sure you can record phone calls. Phone interviews don’t offer great audio fidelity, but they make a great backup option in case of technical problems or schedule changes.

If you’re recording with the same remote co-host on each episode of your podcast, consider a double-ender setup, in which you and your co-host record your own audio tracks locally and combine them in post-production. For most podcasters, this isn’t the most convenient solution, but it does translate into the highest audio fidelity for you and your co-host.

The best way to record an interview is to prepare for it

When it comes to interviewing — especially remote interviewing — a little preparation goes a long way.

Do some research into your guest’s background, expertise, and projects. Who are they? Why is their work notable? What do you (and in turn, your audience) hope to learn from them?

Putting together a rough outline of the questions you’d like to ask will come in very handy. Write down a handful of specific questions and key points but keep your outline broad and high-level. That’ll allow you to more easily adapt to the flow of conversation.

Prime yourself to listen more than you speak — in particular, try not to interrupt your guest. Editing out awkward silences between speakers is much easier than dealing with too much crosstalk!

How to record a Skype call, Zoom interview, or Google Hangout

For most remote recording situations, Zoom, Skype, or Google Hangouts are your platforms of choice. All three are easy to set up, simple for guests to use, and feature audio fidelity good enough for most podcasts.

Both Zoom and Skype offer built-in call recording functionality, but Google Hangouts currently limits this offering to enterprise users. There’s an additional caveat: the file format (.MP4 or .M4A) that each platform outputs may not be what you want, depending on your podcast production and editing workflow.

If you’re on a Mac, BlackHole is a great open-source tool that allows you to route audio between apps, which means you can record the audio output from Zoom (or Skype, or Google Hangouts) directly into your preferred recording software. On Windows, Virtual Audio Cable offers similar functionality.

If you’re already using Descript to record, you won’t need to use additional audio routing software. When recording audio into Descript, open the Record panel, choose Add a Track, select your input, and choose “Computer audio.” Click the Record button whenever you’re ready, and audio from Zoom, Skype, or Google Hangouts will be piped into Descript.

How to record a phone interview with Google Voice

Social distancing means nearly everyone has gotten used to handling calls and meetings on Zoom, Skype, or Google Hangouts. But maybe your podcast guest is really old-school, or their computer is on the fritz, or maybe they’re simply only able to access a phone during your scheduled call time. It’s likely phone interviews will never be your first choice, but being able to record an old-fashioned phone call will come in handy.

Recording phone calls can be tricky but using Google Voice to make an outgoing phone call from your computer means you can use the same remote recording setup detailed above to record the call.

A traditional double-ender sees each speaker recording their own audio track using their recording software of choice (Descript, Audacity, Quicktime, etc.), and then the host or editor combines each speaker’s recording into a finished product. Each speaker should have a decent microphone — if they’re using a laptop microphone to record, you probably won’t hear a substantial advantage with a double-ender over a Zoom, Skype, or Google Hangouts recording.

Alternatively, you can simulate a double-ender by using a platform like SquadCastZencastr, or Cleanfeed. These services record lossless audio from each speaker, upload each track to the cloud, and combine them automatically. These platforms cost money, but they’re a great alternative to a double-ender when guests or co-hosts don’t have the time or wherewithal to fiddle with recording themselves locally. Again, make sure each speaker has a decent microphone — otherwise you won’t reap the full benefits of lossless audio.

Make remote recording hassles a thing of the past

Recording your podcast remotely isn’t painless, but once you get the hang of it — and nail down your workflow — it’ll become second nature.

Good Luck!

 

 

Geva Theater Center’s Out of the Rehearsal Hall Podcast – Richard Durham & Black Drama

From the Geva Theatre Center in Rochester, New York, its Out of the Rehearsal Hall podcast takes a deep dive into the theatrical process – even as the Center starts its 2020-2021 season creating work from the rehearsal halls in participants homes.

This season you can listen to an audio play or stream an online solo performance. The Out of the Rehearsal Hall podcast explores it all, as hosted by the Geva Theater Center’s Literary Director, Jenni Werner.

The Out of the Rehearsal Hall Podcast – Season 2  Starts w/Jenni Warner & Esther Winter interviewing me about Durham and his radio dramas. Click on the link above to hear the interview.

And, here is Jenni Werner’s Exploring Black Radio History Blog

Happy reading and listening!

Behind the Scenes: The Making of an Award Winning NPR & Smithsonian Series

During the mid-1990s, Wade in the Water: African American Sacred Music Traditions, a first-time collaboration between the Smithsonian Institution and National Public Radio, began airing on hundreds of NPR affiliate stations throughout America.

An ambitious series of 26 hour-long documentary programs, Wade explored 200 years of black sacred music, including spirituals, ring shouts, lined hymns, jazz, and gospel. The series also featured the insights of music creators, performers, listeners, and historians who could place African American sacred music traditions within the social, political, and cultural context of their times

Mahalia Jackson & Paul Robeson.  The Staple Singers & The Mississippi Mass Choir.  Mary Lou Williams & Kirk Franklin.  The Fisk Jubilee Singers & Marian Anderson.  Be Be & Ce Ce Winans & Take 6.

Those were just a few of the artists prominently featured in the series.

Conceived and hosted by Smithsonian Institution curator, artist, and MacArthur Foundation “Genius” Fellow, Bernice Johnson Reagon, Wade required an intensive, five-year-long fundraising, research, and production journey of commitment by a host of dedicated radio producers, researchers, engineers, historians and music collectors.

And the series eventually won a Peabody Award and other national awards of distinction.

As Wade’s associate producer, I was responsible for writing and producing 13 of the series’ programs.  So come behind the scenes with me.  In the just published, Wade in the Water: The Making of a Groundbreaking Radio Documentary Series (in Resonance: The Journal of Sound and Culture, University of California Press), I describe Wade’s production journey from the vantage point of an insider.

The article serves as a personal reflection on the making of a series that would set the standard for future long-form, NPR-based music documentary productions, such as Making the Music (hosted by Wynton Marsalis) and Jazz Profiles (hosted by Nancy Wilson) – series on which I also served as one of the producers.

Enjoy!

Master Pianist/International Influencer: McCoy Tyner

McCoy Tyner   December 11, 1938 – March 6, 2020

I first heard McCoy Tyner perform “live” in concert during the 1970s.  Some of my college friends and I had pooled our meager resources and tried to look (and act) older than we were so that we wouldn’t have any trouble getting into a Chicago nightclub to hear Tyner and his band perform.

Our little group of jazz lovers and Tyner enthusiasts were serious about sitting as close to the club’s bandstand as possible.  We wanted to see for ourselves exactly how Tyner produced the cascade of sound that was his trademark.

We weren’t disappointed.

Sitting near the piano and just behind Tyner, we could see his hands fly across the piano keyboard.  His powerful attack, invigorating energy and shifting harmonies were breathtaking.  And his ballads?  Tyner could make you cry with his sensitive, often spiritual interpretation of his own compositions or other standards.

From that point on, I bought every Tyner album I could.  And I made it my business to see him perform live whenever possible.  Many years later, I served as a writer/producer for NPR’s award-winning series, Jazz Profiles, hosted by Nancy Wilson.   As a result, I was able to interview Tyner, as well as musicians such as Bobby Hutcherson, Mulgrew Miller and Dianne Reeves who could talk about his outsized influence.

Excerpts from those interviews can be heard in the episode I produced for Jazz Profiles.  So to honor the life and contributions of this dynamic musician, I invite you to listen to McCoy Tyner: The Pianist.  

He will be missed.  But his musical legacy lives on.

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